Chamber music is all about listening and adapting to your partners. It’s about understanding that you are but a fraction of a whole, and that to make a complete work of art you must tend to the needs of the others. You must of course contribute your own strong voice: you have your own responsibilities. But fulfilling your personal responsibilities does not create musical magic. Playing one part exceptionally well is not enough. When chamber music works well, it is like a happy family where each person fulfills their responsibilities and roles whilst listening and adapting to the needs and desires of the others. I knew all these things before coming to SFCM. This was why I wanted to come here, this was why I wanted to pursue chamber music– because it was all about love. What I didn’t understand yet, because I was young and naive, is that love is really hard and that because love is really hard chamber music is also really hard.
Making amazing music with your peers sounds like a fun and bonding experience but what do you do when the intonation doesn’t line up? When the tempo is wrong? When the eighth notes aren’t exactly together? When you can’t follow a cue? When you have a different interpretation of a dynamic? When you have a different idea about bowing? When you can’t figure out a rehearsal schedule? The idea of making music together is beautiful, but the effort it takes is gritty. It’s sweaty, disciplined, intimate teamwork and you will never leave a rehearsal space the same as when you entered it. Your hands are going to get dirty, your hair is going to get ruffled, rosin and pencil graphite will be flying everywhere, and even the NICEST humans in the world might end up having a disagreement they can’t quite solve. I’ve been wondering for about 8 months if I was just wrong. Maybe chamber music was never actually about love. Maybe I’d made that up in the Disney version of my life and it was fake news. But then it dawned on me…
Maybe I hadn’t been wrong about chamber music– maybe I’d been wrong about love!
What I’ve learned over the past 8 months is that love is the way chamber music is. It’s WORK. Its gritty! It’s facing the places where you disagree and being willing to see things from the other point of view. It’s coming back and apologizing when you’ve made a mistake. It’s making space when someone is having a hard time. It’s listening when someone has something they desperately need to say. Its saying something in the moment it needs to be said, and it’s holding your tongue when nothing should be said. It’s looking in another person’s eyes and knowing what they’re about to do– being ready to face the challenge with them. It’s taking turns holding the heaviest responsibilities, and lifting each other up.
Perhaps the most important lesson I’ve learned about chamber music AND love this semester (mostly from my peers having patience with my very new viola skills) is that when people love each other: mistakes are allowed and mistakes are forgiven. Mistakes are worked through and mistakes are given a space within the work of art. In fact, if chamber musicians are good enough at listening, sometimes a mistake can be masked so well it becomes part of the interpretation.
In the words of Shakespeare:
“Love is not love/ which alters when it alteration finds./… oh no! It is an ever-fixed mark/ that looks on tempests and is never shaken.”
Great love and great chamber music are both based on two things:
1) the ability to forgive and empathize
2) the willingness to work through flaws and improve together
I’m so grateful that after so many months of pain and confusion I have discovered this. For awhile I was literally telling my friends I didn’t believe in love– because in my mind if lovers fought they didn’t love for real. I’m so glad that I was wrong. I’m so glad that I’ve come to understand that love is as complex and intricate and confusing and wonderful as any string quartet. More importantly I’m glad I’ve finally decided that both chamber music AND love are worth the gritty effort.


























